We predict Meg Haywood-Sullivan seems fairly good in entrance of the digital camera, however what she creates behind it seems even higher.
The sought-after business outside life-style and action-sports photographer has a formidable resume of shoppers, together with Clif Bar, The New York Instances, Toyota, City Outfitters, Salt Optics and Patagonia.
She’s battled frost-covered lenses capturing winter bouldering in Mammoth Lakes, California and backcountry snowboarding in Montana and has captured the motion capturing an Ironman triathlete within the Bay Space. So who higher to high school us in photographing athletes shifting quick—actually, actually quick—in lovely locations?
“I’ve always been drawn to shooting the relationship between athletes and the environment; it’s that intersection where moments come alive to paint a bigger picture,” she says. Get out your notebooks: Action-photography college is formally in session.
Lesson 1: Get the Proper Digital camera
When you can seize high quality action-sports photographs with a normal point-and-shoot digital camera, a GoPro and even your iPhone, Haywood-Sullivan says she depends on a professional-level digital camera equipment (this contains pro-level Nikon DSLRs). Whichever digital camera you go along with, make certain it will probably deal with the weather.
For capturing quick motion, Haywood-Sullivan depends on her 14-24mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 lenses. “I love working with 50mm and 85mm prime lenses if I’m sneaking in a portrait and outdoor lifestyle images,” she provides.
Lesson 2: Put money into Some Equipment
“It all starts with the pack,” Haywood-Sullivan explains. “I’ve been utilizing F-Stop Gear merchandise for years; they’re top quality and have storage in all the fitting locations for a photographer capturing motion.” (She provides that the corporate makes a female-specific pack known as the Kashmir UL.)
In chilly situations, she recommends an excellent pair of down mittens with liners: “Frostbite sucks and you won’t be able to feel the [camera] trigger if your fingers are frozen.”
When pure lighting isn’t ideally suited for your photographs, velocity lights will be nice transportable investments that add extra dimension to photographs.
Lesson 3: Get Off “Auto” Mode
Step one to taking higher photos? It’s a must to find out how the digital camera truly works. “Flip your camera off the auto setting,” Haywood-Sullivan says. “If it’s all about freezing the action for you, try using the shutter priority mode; it allows you to be able to set the ISO.”
To cut back the graininess of your shot, set your digital camera to a low ISO quantity, then set a quick shutter to freeze the second. To do that, you need to discover ways to alter the aperture manually.
“Try playing around with all the features to get a better understanding of all the different modes your camera offers. Each one has its own unique benefits,” says Haywood-Sullivan.
Lesson 4: Be taught The place to Stand
Capturing the meat of the motion with out messing up the athlete? “That is one of the most difficult predicaments of an outdoor photographer,” says Haywood-Sullivan. “Oftentimes the best angles are ones that are nearly impossible or just downright dangerous.”
She says that finally it’s all about creativity. Strive utilizing a tree as each a foreground and a barrier, and make it possible for when you aren’t seen to the athlete, there’s audible communication between the 2 of you.
“No shot is worth broken bones,” she provides.
Lesson 5: Shoot the Individual, Not Simply the Athlete
“Honestly, I can get tired of flipping through endless pages of A-plus action shots. No matter how incredible the action in the image, they all tend to blend together,” she says.
“When I’m creating a photo, I’ll run through in my head how to utilize the natural environment to complement the action and the personality of the athlete.”
Use solar flares, rocky outcroppings and totally different views to experiment with the temper you’re making an attempt to realize.
Lesson 6: You Are Not a Solo Artist
Initially of a session, Haywood-Sullivan says, make certain everybody concerned is on the identical web page. “If the athlete doesn’t want to wait to set up a shot, agree to a fun, mellow day shooting from the hip and snapping raw, gritty, behind-the-scenes action,” she shares.
If each folks wish to stack photographs throughout a shoot, create a timeline and sketch out some photographs collectively.
“Sometimes I’ll suggest highlighting a natural feature, then the athlete will come up with something even better,” she says. “You never know what in-between or unexpected moments might make the shoot an epic one.”
Lesson 7: Put together for the Climate
How does Haywood-Sullivan deal with climate extremes? “Tough skin,” she says. “I often put my camera’s comfort over mine.”
Anticipating heavy snow within the backcountry? Carry an umbrella. Battling the warmth of the desert? Put on a wide-brimmed hat to maintain the solar off your face and digital camera.
“If you are miserable in the elements, it will reflect in the images you take,” she explains. “Stay inspired by the environment, not incapacitated by it.”
Lesson 8: Know When You Have the Shot
Haywood-Sullivan says she normally is aware of the second her shutter fires that she has the profitable shot. “When everything aligns—the athlete lands their jump, the weather conditions cooperate and you nail the angle—it’s the most incredible feeling. It’s what we live for as creatives,” she shares.
That doesn’t imply she neglects the remainder of the photographs she took; take a fast flick through your entire photographs in post-processing for profitable photographs you could in any other case overlook.
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